Maison d'Ernest Renan, portraits d'Ernest er Noémi Renan (acrylic panels)

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Print type

Acrylic Panels

Acrylic Panels

The reproduction is printed on FineArt Satin Paper and then encapsulated between a 3mm Dibond backing and a 2mm acrylic layer. This product offers a greater sense of depth and volume due to 'encapsulation'. FineArt Giclée digital printing is commonly used for the reproduction of works of art. It offers a very high durability thanks to the use of materials and inks based on natural pigments highly resistant to light and museum conservation.

  • Eco-responsible and recyclable

  • Product ready to hang, supplied with a wall hanging system Enhancement of colors, contrast and details of the work

  • Optimal print quality and glossy finishes

  • Easy to clean

Acrylic Panels Acrylic Panels

About the Artwork

Maison d'Ernest Renan, portraits d'Ernest er Noémi Renan

Maison d'Ernest Renan, portraits d'Ernest er Noémi Renan

2e moitié du 19e siècle - Époque contemporaine Œuvre de : Clier, Colombe (1982-....) Clier, Colombe (1982-....) - Maison d'Ernest Renan, portraits d'Ernest er Noémi Renan - © Colombe Clier - Centre des monuments nationaux

Photographers Maison d'Ernest Renan à Tréguier

About the monument

Maison d'Ernest Renan à Tréguier

A "secular saint" of the Third Republic. Born into an impoverished family, Ernest Renan (1823-1892) was a brilliant scholar who was destined to become a priest. Yet he left the seminary in 1845. His works examined the Gospels in light of exacting scientific criticism, scandalising the clergy and Catholic royalist right. Respected scholar throughout Europe, Renan received all the honours: he was a member of the Académie des inscriptions et belles lettres, professor at the Collège de France, academician and officer of the Legion of Honour.

A bourgeois mansion of public figures. Built in the late 16th century, this house in the typical architecture of Trégor was acquired in 1780 by the grandparents of the scientist. Renan left it for good at the age of 15. It became a museum in 1947. In 1992, at the author's centenary celebrations, the street façade received a sculpted wood decor.