Orant de Marie-Antoinette (acrylic panels)

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Print type

Acrylic Panels

Acrylic Panels

The reproduction is printed on FineArt Satin Paper and then encapsulated between a 3mm Dibond backing and a 2mm acrylic layer. This product offers a greater sense of depth and volume due to 'encapsulation'. FineArt Giclée digital printing is commonly used for the reproduction of works of art. It offers a very high durability thanks to the use of materials and inks based on natural pigments highly resistant to light and museum conservation.

  • Eco-responsible and recyclable

  • Product ready to hang, supplied with a wall hanging system Enhancement of colors, contrast and details of the work

  • Optimal print quality and glossy finishes

  • Easy to clean

Acrylic Panels Acrylic Panels

About the Artwork

Orant de Marie-Antoinette

Orant de Marie-Antoinette

1819-1830 - Époque contemporaine - 1ère moitié du 19e siècle - Restauration (1814-1830) sculpture - ronde-bosse - marbre Œuvre de : Ballot, Jean-Christophe (1960-....) Ballot, Jean-Christophe (1960-....) - Orant de Marie-Antoinette - © Jean-Christophe Ballot - Centre des monuments nationaux

Photographers Basilique cathédrale de Saint-Denis

About the monument

Basilique cathédrale de Saint-Denis

The final resting place of the kings and queens of France.Built on the grave of Saint Denis, a Bishop of Paris who died in 250 AD, the royal abbey of Saint-Denis was, from the death of King Dagobert in 639 AD until the 19th century, the burial place of 43 kings, 32 queens and 10 servants to the monarchy. The basilica was raised to the rank of cathedral in 1966.

A museum of sculpture. Featuring over 70 recumbent statues and monumental tombs from the Renaissance, the basilica contains within its walls the largest collection of funerary sculpture from the 12th to the 16th centuries.

The birth of Gothic art.The church, designed by Abbot Suger, kings' advisor from 1135 to 1144, was completed in the 13th century during the reign of Saint Louis. A major work of Gothic art, this church was the first to place a great importance on light, a symbol of divinity, in religious architecture.