Château de Talcy, salle à manger, lé de toile peint à l'huile à motifs de fleurs (acrylic panels)

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Acrylic Panels

The reproduction is printed on FineArt Satin Paper and then encapsulated between a 3mm Dibond backing and a 2mm acrylic layer. This product offers a greater sense of depth and volume due to 'encapsulation'. FineArt Giclée digital printing is commonly used for the reproduction of works of art. It offers a very high durability thanks to the use of materials and inks based on natural pigments highly resistant to light and museum conservation.

  • Eco-responsible and recyclable

  • Product ready to hang, supplied with a wall hanging system Enhancement of colors, contrast and details of the work

  • Optimal print quality and glossy finishes

  • Easy to clean

Acrylic Panels Acrylic Panels

About the Artwork

Château de Talcy, salle à manger, lé de toile peint à l'huile à motifs de fleurs

Château de Talcy, salle à manger, lé de toile peint à l'huile à motifs de fleurs - © David Bordes - Centre des monuments nationaux

About the monument

Château de Talcy

A poetic château. Cassandre, the daughter of the first owner, was the inspiration for Ronsard's famous "Mignonne, allons voir si la rose ...", whilst her niece Diane was the muse of the young Agrippa d'Aubigné. One of the direct descendants of Cassandre's daughter was Alfred de Musset. One of the last owners, Albert Stapfer, was the first French translator of the German poet Goethe.

The Talcy Conference. The Catherine de' Medici and Charles IX rooms were where the Talcy Conference, the last meeting between Catholics and Protestants, took place in 1562.