Jardin du Palais-Royal, allée de tilleuls, chaise et groupe sculpté (stretched canvas)

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Print type

Stretched Canvas

Stretched Canvas

Giclee print on Fine Art canvas mounted on a 2 cm thick wooden frame. For greater compliance with the original work, the printing covers the entire chosen format, the part of the canvas covering the sides of the chassis remains white. The reproduction will be shipped in protective packaging to be received in perfect condition.

Stretched Canvas

About the Artwork

Jardin du Palais-Royal, allée de tilleuls, chaise et groupe sculpté

Jardin du Palais-Royal, allée de tilleuls, chaise et groupe sculpté

Original work by: Thomas Thibaut Thomas Thibaut - Jardin du Palais-Royal, allée de tilleuls, chaise et groupe sculpté - © Thomas Thibaut - Centre des monuments nationaux

Dreams of Castles and Secret Gardens Domaine national du Palais-Royal

About the monument

Domaine national du Palais-Royal

Three centuries of architecture. Built for Cardinal Richelieu by French architect Lemercier, who also designed the Sorbonne, the main body (1634), opposite the Louvre, became a royal residence (during the regency of Anne of Austria) and then the seat of the Orléans family from 1661. The palace was completed and modified in the 18th and 19th centuries. The three wings bordering the gardens date from the late 18th century.

An insalubrious past. Today's magnificent monumental surroundings give no hint as to the revolutionary fervour that abounded here in the 18th century, nor of its reputation in the 19th century as a place of promiscuity and women of easy virtue, as immortalised by Balzac.

A popular monument decorated in the antique style so fashionable in the 18th century. This is one of the favourite spots for locals and tourists to come for a stroll. The Comédie-Française and Palais-Royal theatres and the Grand-Véfour restaurant with its listed décor still draw in the crowds. Contemporary art is also well represented by its main courtyard and columns designed by Buren and two mobile fountains by Pol Bury (1985).