La préfecture de police et la cathédrale Notre-Dame vues depuis le quai des Grands-Augustins, sous le pont Saint-Michel (acrylic panels)

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Print type

Acrylic Panels

Acrylic Panels

The reproduction is printed on FineArt Satin Paper and then encapsulated between a 3mm Dibond backing and a 2mm acrylic layer. This product offers a greater sense of depth and volume due to 'encapsulation'. FineArt Giclée digital printing is commonly used for the reproduction of works of art. It offers a very high durability thanks to the use of materials and inks based on natural pigments highly resistant to light and museum conservation.

  • Eco-responsible and recyclable

  • Product ready to hang, supplied with a wall hanging system Enhancement of colors, contrast and details of the work

  • Optimal print quality and glossy finishes

  • Easy to clean

Acrylic Panels Acrylic Panels

About the Artwork

La préfecture de police et la cathédrale Notre-Dame vues depuis le quai des Grands-Augustins, sous le pont Saint-Michel

La préfecture de police et la cathédrale Notre-Dame vues depuis le quai des Grands-Augustins, sous le pont Saint-Michel

1910 Œuvre de : Séeberger frères [Jules (1872-1932), Louis (1874-1946), Henri (1876-1956)] Séeberger frères [Jules (1872-1932), Louis (1874-1946), Henri (1876-1956)] - La préfecture de police et la cathédrale Notre-Dame vues depuis le quai des Grands-Augustins, sous le pont Saint-Michel - © Séeberger Frères - Centre des monuments nationaux. Donation Albert Séeberger

Heritage funds Tours de la cathédrale Notre-Dame de Paris

About the monument

Tours de la cathédrale Notre-Dame de Paris

Construction and restoration. A quintessential Gothic cathedral, building started in 1163 and lasted over 170 years. Until the building of Amiens Cathedral in the 13th century, it was the largest religious building in the West. Between 1847 and 1864, Lassus and Viollet-le-Duc restored part of the sculpted decorations, and even reconstructed parts basing their work on old documents and works in the Cathedrals of Chartres, Reims and Amiens. It was during this restoration that Viollet-le-Duc was inspired to create the 56 chimera that adorn the tower gallery today.

The belfry houses the biggest bell of Notre-Dame, Emmanuel, the bourdon or tenor bell, weighing 13 tons, which visitors can see before entering the panoramic terrace that affords a 360-degree view over Paris.

A Gothic masterpiece listed as a UNESCO World Heritage site, the cathedral became the stuff of legend thanks to Victor Hugo's novel, The Hunchback of Notre-Dame, published in 1831.