Château de Carrouges, castelet d'entrée dans la brume matinale (acrylic panels)

Choose color
Choose an atmosphere
{{ room.title }}
{{ new Intl.NumberFormat('en').format(dimensions.legend.w) }} {{ dimensions.legend.unit }}
{{ new Intl.NumberFormat('en').format(dimensions.legend.h) }} {{ dimensions.legend.unit }}

Acrylic Panels

The reproduction is printed on FineArt Satin Paper and then encapsulated between a 3mm Dibond backing and a 2mm acrylic layer. This product offers a greater sense of depth and volume due to 'encapsulation'. FineArt Giclée digital printing is commonly used for the reproduction of works of art. It offers a very high durability thanks to the use of materials and inks based on natural pigments highly resistant to light and museum conservation.

  • Eco-responsible and recyclable

  • Product ready to hang, supplied with a wall hanging system Enhancement of colors, contrast and details of the work

  • Optimal print quality and glossy finishes

  • Easy to clean

Acrylic Panels Acrylic Panels

About the Artwork

Château de Carrouges, castelet d'entrée dans la brume matinale

Original work by: David Bordes David Bordes - Château de Carrouges, castelet d'entrée dans la brume matinale - © David Bordes - Centre des monuments nationaux

About the monument

Château de Carrouges

Seven centuries of history. Carrouges started off in the 14th century as a stronghold during the Hundred Years' War (a keep). It became a lordly residence in the 15th century (the Blosset wing), and in the 16th century a gatehouse tower was added, considered to be the first example of Renaissance architecture in Normandy. It was refortified during the French Wars of Religion (west bastion), before its role as a prestigious residence was reaffirmed in the late 16th century with the construction of two 'classical' wings and associated staircases designed by the architect François Gabriel.

Illustrious guests. The Lords of Carrouges played host to King Louis XI in 1473 and to Catherine de' Medici and her retinue in 1570.